Buying Art
As I mentioned on the home page, all of the artwork shown here is my original work, some of which is also available in limited edition prints and notecards. If you are already an experienced art collector, you no doubt have at least some understanding of art mediums. Not to worry, you don’t need a doctorate in art to appreciate a painting or print. The single most important aspect of purchasing artwork is...do you like the image? Does it speak to you on some level of emotion? Does it spark your imagination, or remind you of a pleasant memory or experience? If it brings you joy or soothes your psyche, that’s all the reason you need to decide to purchase art. As an artist, I find some images to be so compelling that I keep them where I can see them often. Some of my own pieces are so dear to me that I can’t bear to part with them for several years after they’re completed. I love looking at other artists’ works also, appreciating subtle differences of technique or unique approaches to a subject. That is the power of art! Don’t be intimidated by it. Fine art is a lot like fine wine... it’s not just for the elite connoisseur. Everyone can enjoy it.

Art Mediums
For a very basic explanation of art mediums, just think of “paint” as a combination of pigment (color) and a binder. Watercolors use a water soluble gum binder, oil usually uses linseed oil to “bind” the pigment, and acrylics utilize a water soluble acrylic base that hardens when dry. Paint may also contain fillers, glycerine, beeswax, etc. Gouache is simply opaque watercolor. Oil paint is the classic medium used in most of the “famous” paintings we’re all familiar with. Acrylics have become popular by artists nowadays because they dry quickly, unlike most oils, and don’t require solvents for thinning or cleanup. Watercolor possesses it’s own charm of brightness, spontaneity, and delicacy. I like to use all of the mediums because they each handle differently and one may feel more suitable for the mood or subject I am portraying.

Most of my original paintings are done on stretched canvas. It is a popular substrate for it’s textured surface and reliable permanence. Some of the watercolor pieces are done on acid free illustration board (which I refer to as rag board for its cotton content). I have done a few paintings on Claybord, which is a kaolin clay coated hardboard made by Ampersand that is also 100% archival. For some paintings, I used hardboard (a product made by permanently binding wood fibers under extreme heat and pressure) prepared with layers of gesso. It provides a hard, smooth, uniform surface that is very dimensionally stable.

Prints
Please refer to the page called “Prints & Notecards” for detailed information about the materials used in my limited edition prints.

Care of Artwork
All of the original artwork offered here is professionally framed. I have chosen quality wood frames that complement the paintings. They also have linen liners for added depth and interest. Watercolor paintings must be protected by glass, and are framed accordingly. All of my watercolor originals are double or triple matted with archival museum quality matboard. When storing or hanging art, it should always be kept out of direct sunlight. UV light will damage the painting or print, bleaching the image. You should also keep humidity levels in the moderate range—way too much or way too little can both cause problems. Also, extremely low temperatures can crack acrylic paintings (winter shipping should be done with care, and don’t store your original art in an unheated cabin in the mountains!). It is a good idea to keep the dust from building up on the artwork. Prints should be professionally framed to protect them, if you want them to last. Use archival mats with glass, and hang them as you would an original painting (out of direct sun and in a humidity controlled environment). If you purchase a print and do not frame it right away, store it flat in the protective wrapping I send it in. With a little care, your limited edition prints can last many decades, and the original paintings can be cherished for many generations.
E-mail me at mdtrent@verizon.net.